
TEMPUS NON REDDITUR
1984 - Present
Description
This mixed-media work represents forced displacement, longing, and the cruelty of colonization and borders. The tickets and boarding passes document more than two decades of travel across numerous countries in Europe, the Middle East, Africa, and Asia. The surface suggests movement, travel, departures, and an apparent sense of freedom; however, it is fragmented, with dates obscured in black, creating a sense of suspended or unknown time while destinations remain visible.
The work becomes more explicit through the presence of stamps, which are rendered prominently in a stark red color that evokes authority and judgment. These stamps transform the piece from an artwork into a site of refusal. In contrast to the red stamps, the blue Hebrew text appears as the title of the document issued by the Israeli army to deported Palestinians and non-Jews. It reads, “Notice of Refusal of Entry.” The phrase appears five times, reinforcing the idea that Israel functions as the entity that denies, restricts, and controls movement and return.
Artist Notes
This artwork reflects the inability to return to Gaza for visits, even after many years. As the title, Tempus Non Reditur, suggests, it marks a point of no return. Each ticket represents a country or region I visited. While I was able to travel the world, I could not visit Gaza and return from a short visit until 2022, after sixteen years. This work continues a series of artworks and collections focused on travel, borders, and exile. The Israeli stamp is the document I received and was forced to sign when I attempted to return to Gaza. The other stamps represent Israel’s colonial policies, ranging from denial and refusal to being marked as “not allowed.” This artwork is deeply personal and carries psychological and emotional associations shared by many Gazans.